E-REI n.º 9, vol. 2, 2021
Section I.
VOICES OF INTERCULTURAL COMMUNICATION
THE IMPACT OF PHONETIC TRAINING IN THE PERCEPTION AND PRODUCTION OF EUROPEAN PORTUGUESE STOPS BY MANDARIN SPEAKERS
Ana Margarida Belém Nunes, Bruno Camacho da Côrte (Faculty of Arts and Humanities, University of Macau)
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THE GOOD PERSON OF SZECHWAN FROM BERTOLT BRECHT IN BRAZIL: TWO TRANSLATIONS
Eduarda Maria Ferreira da Mota (CEI, ISCAP-P.PORTO)
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SING THE COLOR YOUR SILENCE: THE QUIET MUSIC BY ANTONIO CARVAJAL (WITH TRACES OF S. JUAN DE LA CRUZ AND EVOCATION OF ALBÉNIZ BY J. R. JIMÉNEZ)
Francisco Javier Escobar Borrego, Lucia Ballesteros Aguayo (University of Seville)
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ON MIGRATION, IDENTITY, AND LITERATURE IN FRENCH LANGUAGE TEACHING
Jana Pecniková (Matej Bel University, Banska Bystrica, Slovakia)
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BETWEEN CANVASSES AND SCREENS... REFLECTIONS ON LINGUISTIC-CULTURAL INTERLOCKS OF PORTUGUESE IN THE DIGITAL SPACE
Joana Fernandes, Joana Querido (CEOS.PP, ISCAP-P.PORTO)
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WHY DO STREET MUSICIANS PLAY FOR CARS?
João Pedro Sanson (Federal University of Rio de Janeiro)
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CONSONANCE AND DERIVING: FROM CULTURAL STUDIES TO POPULAR MUSIC STUDIES
Luís Carlos S. Branco (Languages and Cultures Department/CLLC, University of Aveiro)
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LOST IN THE CITY: THE UPROOTING OF THE SUBJECT IN THE MODERN URBAN SPACE
Marcos António de Menezes (Federal University of Goiás)
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(E)MIGRANT BODY AND IMAGE. DISCOURSIVE DECONSTRUCTION AND RECONSTRUCTION
Maria Assunção Pestana (University of Minho), Estela Lamas (United Methodist University of Mozambique)
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BRIEF ANALYSIS OF A REGIONAL GERMAN NOVEL: DAS NECKARTREIBEN BY SYBILLE BAECKER
Micaela da Silva Marques Moura (CEI, ISCAP-P.PORTO)
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THE COMPLEX PROBLEM OF THE CANON OF THE LYRICAL WORK BY CAMÕES: SOME THEORETICAL PERSPECTIVES
Miguel Correia (Faculty of Letters of the University of Porto)
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WHERE DO CATS GO WHEN THEY DIE? CONTINUITY AND RUPTURE WITHIN LUÍS CARDOSO'S NOVEL
Pedro d'Alte (Polytechnic Institute of Macau)
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CACOPHONY AND OBSCENITY IN VISUAL POETRY OF E. M. DE MELO E CASTRO
Rodrigo Conçole Lage (Independent Researcher)
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DISPUTE ON 21ST CENTURY’S IMAGINARY: THE ASCENSION OF BLACK CULTURAL PRODUCTION IN THE DIGITAL MEDIA
Samira Pinto Almeida (Independent Researcher)
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ANEL DE VIDRO: A NOVEL IN FOUR CHAPTERS
Tania Yumi Tokairin (University of São Paulo)
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SARAH KANE AND CLEANSED: PROJECTING LIFE ON STAGE
Yana Baryshnikova Marques (ISCAP-P.PORTO), Maria Filomena Louro (University of Minho)
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Section II.
REVIEW
REVIEW UNDER RED SKIES, BY KAROLINE KAN
João de Mancelos (University of Beira Interior)
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